Yen Iniya Pon Nilave Lyrics

• Yen Iniya Pon Nilave Lyrics
• En Iniya Pon Nilave Lyrics With Guitar Chords

Running time131 minutesCountryIndiaLanguageTamilMoodu Pani (English: The Mist) is a 1980 Indian written, directed and filmed. Starring and in the lead roles, with, and in supporting roles, it is based on two novels: Idhuvum Oru Viduthalai Thaan (1978) by Rajendra Kumar, and (1963). The film tells the story of Chandru (Pothen), who has a strong hatred towards prostitutes and would kill any such woman whom he encounters. He falls in love with Rekha (Shoba) and believes marrying her will end his psychological distress.Moodu Pani was the third directorial venture of Mahendra and his second in Tamil after (1979). It also marked Mohan's debut in Tamil cinema, and the last film Shoba acted in before her death. Took place between January and April 1980, mostly in,.

Misc Soundtrack - Nageshwaran Prasad - En Iniya Pon Nilave. Song: En Iniya Pon Nilave. 'Moodu Pani' is an Indian Tamil psychological thriller film directed by Balu Mahendra. It draws inspiration from Alfred Hitchcock's 1960 thriller film Psycho. The film's music was composed by Ilaiyaraaja, while director Balu Mahendra handled the cinematography as well. The soundtrack of the 1980 Indian film Moodu Pani (English: The Mist) was composed by Ilaiyaraaja.

Apart from The Collector, Mahendra also acknowledged 's film (1960) as an influence on Moodu Pani. The elements between Chandru and his mother have been widely discussed.

The soundtrack was composed by, this being his 100th film, and his brother was the main lyricist.Moodu Pani was released on 6 November 1980 to critical acclaim, with particular praise for the performances of Pothen and Shoba, and Ilaiyaraaja's music, especially the song 'Yen Iniya Pon Nilavae'. The film was a commercial success, running for over 200 days in theatres.

It was also responsible for a resurgence of the thriller genre in Tamil cinema at that point. Despite the film propelling Pothen to stardom, it also led to him being in similar roles. Pothen, on the song 'Yen Iniya Pon Nilavae', The Hindu.After Sigappu Rojakkal, there was a resurgence of the thriller genre in Tamil cinema, as evidenced by films like Moodu Pani. According to film producer and writer, the film 'inspired a generation to take up film-making'. Suganth of The Times of India stated that Mahendra 'changed the landscape of Tamil cinema with his distinctive visuals and eclectic films' such as Moodu Pani.

Pothen recalled in January 2015 that it was the simultaneous release of Moodu Pani and his other film that made him a star. However, both Varumayin Niram Sivappu (which depicted Pothen as an eccentric director obsessed with an actress) and Moodu Pani led to him being in similar roles. 'Both roles caught the public imagination, and I admit I cashed in when I was offered similar stuff. Now, unless I'm offered an unreasonable amount of money, I doubt I'll accept these roles,' he said in a 2014 interview.In Iruvar Mattum (2006), Azhagu (Abhay) keeps the skeletal remains of his mother and frequently talks to her; Sify compared this plot detail to that of Moodu Pani and Psycho. Malathi Rangarajan of The Hindu, in her review of (2003) a film about a mentally deranged woman who saves an accident victim from death, nurses him in her own home and also falls in love with him, but holds him captive there, stated that the film had 'shades' of Moodu Pani. Actor stated that he watched Moodu Pani in preparation for his role as a psychopath in the thriller.

Reviewing (2014), K. Siddharth of Sify praised its cinematographer for 'showcasing Ooty in trademark Balu Mahendra's way' in the style of Moodu Pani.In (2008), when 's character first sees 's character and with her, he takes his guitar and performs 'Yen Iniya Pon Nilavae'. Pothen expressed appreciation for Suriya's version of the song in a May 2015 interview, saying that he had 'enjoyed it'.

In June 2014 during Ilaiyaraaja's 71st birthday, singers and collaborated to make a video in which they performed some of Ilaiyaraaja's songs as a tribute to him; one song was 'Yen Iniya Pon Nilavae'. In May 2015, the radio station, commemorated Ilaiyaraaja's 72nd birthday by broadcasting the composer's songs in a special show titled Raja Rajathan for 91 days. 'Yen Iniya Pon Nilavae' was one of the most requested songs on the show. Although no of Moodu Pani is known to survive, the film is still available on home video. 31 December 2014.

Archived from on 25 July 2017. Retrieved 7 August 2017. Elias, Esther (4 April 2014). From the original on 20 September 2015. Retrieved 19 September 2015. ^ Shakti, Uma (13 May 2016). From the original on 16 May 2016.

Retrieved 21 May 2016. ^ Mahendra, Balu (director) (1980). Moodu Pani (motion picture). India: Raja Cine Arts. ^ Piousji (14 September 1980).

Vol. 8 no. 10. P. 41. Piousji (14 December 1980). Vol. 8 no. 19. P. 55. ^ Pais, Arthur (15 June 1980).

Vol. 7 no. 50. Tamil Electronic Library. Archived from on 20 September 2015. Retrieved 20 September 2015. ^ வெங்கட்ராமன், கார்த்திகேயன் (14 October 2016). 'I am interested in adapting the Ramayana for the screen' - Director Balu Mahendra. From the original on 29 October 2016.

Retrieved 29 October 2016. Ravi, Bhama Devi (6 December 2009).

Archived from on 15 June 2016. Retrieved 15 June 2016. ^ Srinivasan, Sudhir (18 October 2014). From the original on 3 December 2014. Retrieved 19 September 2015.

^ Mahendra, Balu (19 September 2012). Ilaiyaraaja and I – 2. மூன்றாம் பிறை. From the original on 24 September 2015. Retrieved 24 September 2015. 14 February 2014. From the original on 14 February 2014.

Retrieved 26 September 2015. Stolen film. 28 October 2016. Archived from on 26 November 2016. Retrieved 26 November 2016.

Ramesh, Neeraja (29 June 2016). Archived from on 30 September 2016. Retrieved 30 September 2016.

(12 September 2012). Ilaiyaraaja and I – 1. மூன்றாம் பிறை.

From the original on 24 September 2015. Retrieved 19 September 2015. Kumar, G.

(14 February 2014). From the original on 20 September 2015. Retrieved 19 September 2015. P. 10. ^ Ramanujam, Srinivasa (31 May 2018). From the original on 18 July 2018.

Retrieved 18 July 2018. ^ Hariharan, K. (15 February 2014). From the original on 16 December 2014. Retrieved 5 October 2014. ^ Ilangovan, R.

(21 March 2014). From the original on 6 March 2014.

Retrieved 22 September 2015. From the original on 23 June 2016. Retrieved 23 June 2016. 28 October 1980.

Archived from on 15 June 2016. Retrieved 15 June 2016. Krishnan, Rukmini (18 February 2014). From the original on 5 December 2014. Retrieved 20 September 2015. ^. 1 December 2006.

From the original on 20 September 2015. Retrieved 19 September 2015. Soman, Sandhya (14 February 2014). From the original on 14 February 2014.

Retrieved 23 September 2015. Venkateswaran, N. (14 February 2014). From the original on 2 March 2014. Retrieved 14 February 2014.

Bai, Devika (15 April 2014). Archived from on 21 February 2015.

Retrieved 22 September 2015. Dhusiya, Mithuraaj (2017). The male protagonist is shown to have a visceral hatred towards any prostitute that he met. So much so that he would end up killing them. A slasher genre reminiscent., p. 141. (2 October 2015). 22 – Beware of Man Animals!.

From the original on 21 May 2016. Retrieved 21 May 2016. Mathevan, Santhosh (1 December 2018).

From the original on 3 January 2019. Retrieved 3 January 2019. Archived from on 30 March 2014. Retrieved 11 November 2013.

8 January 2007. From the original on 19 September 2015.

Retrieved 19 September 2015. 14 February 2014. From the original on 24 September 2015. Retrieved 24 September 2015.

Prasad, G. (18 August 2007). From the original on 15 June 2016. Retrieved 15 June 2016.

^ Ilaiyaraaja's musical heirs. 7 April 2013. Archived from on 20 September 2015.

Retrieved 20 September 2015. ^ (1980). Archived from on 6 October 2014.

Retrieved 22 November 2013. ^ Ilaiyaraaja (1981). The Gramophone Company of India Ltd. Archived from on 6 October 2014.

Retrieved 22 November 2013. Engeyum Eppothum Raja Anywhere, Anytime, Raja (concert). Toronto: Trinity Events. 13 February 2013., p. 128.

The New Indian Express. 19 December 2014. From the original on 27 September 2015. Retrieved 27 September 2015. 25 October 2015. From 1:04:15 to 1:05:00. Balasubramanian, V.

(2 June 2018). Retrieved 23 February 2019. Vincent, Rohan Ashley (25 August 2012). Archived from on 26 September 2015. Retrieved 26 September 2015. Ilaiyaraaja (1982).

Echo Records. From the original on 25 July 2018., p. 152. Panneerselvan, A. (10 September 1993). Archived from on 22 September 2015. Retrieved 22 September 2015. Chandramohan, V.

(13 November 2015). From the original on 14 November 2015. Retrieved 16 November 2015. Murugesan, Deepauk (15 April 2011). Archived from on 4 October 2015. Retrieved 4 October 2015. Karthikeyan, D.

(15 July 2011). From the original on 20 September 2015. Retrieved 20 September 2015.

22 January 2015. Archived from on 23 January 2015.

Retrieved 30 October 2015. Madhavan, Jaya (7 February 2010). Archived from on 9 August 2016. Retrieved 9 August 2016. From Annakkili to 1000 Top 300 songs. Archived from on 9 August 2016. Retrieved 9 August 2016.

(20 May 2007). Baradwaj Rangan.

From the original on 20 September 2015. Retrieved 20 September 2015. Jeshi, K. (2 November 2007). Archived from on 4 November 2007.

Retrieved 11 November 2013. Rao, Subha J. (25 May 2006). Archived from on 20 September 2015.

Retrieved 19 September 2015. Rao, Subha J. (29 March 2010). Archived from on 30 October 2015. Retrieved 30 October 2015.

Sivashankar, Nithya (23 February 2011). From the original on 8 August 2016. Retrieved 8 August 2016. 20 March 2014. Retrieved 15 November 2015. Retrieved 30 September 2016. (14 July 2017).

Retrieved 18 February 2019. ^ (3 January 2015). From the original on 1 May 2015. Retrieved 19 September 2015. Selvaraj, N. (20 March 2017). Tamil films that completed silver jubilees.

Thinnai (in Tamil). From the original on 29 March 2017. Retrieved 29 March 2017. Srivatsan (16 September 2016). From the original on 23 September 2016. Retrieved 23 September 2016.

^ Ravi, Bhama Devi (22 July 2008). From the original on 1 June 2014. Retrieved 11 November 2013. Kumar, S.

Ashok (3 May 2002). From the original on 11 December 2008.

Retrieved 27 September 2015. 'சினிமா விமர்சனம்: மூடுபனி' Movie Review: Moodu Pani. 30 November 1980. P. 17., p. 180. Saraswathi, S. (13 February 2014).

From the original on 5 July 2015. Retrieved 14 February 2014. Sivakumaran, K. (20 February 2014).

Archived from on 5 July 2015. Retrieved 5 October 2014. Kumar, S. Ashok (3 February 2012).

Archived from on 9 August 2016. Retrieved 9 August 2016. ^ Srinivasan, Sudhir (9 May 2015).

From the original on 20 September 2015. Retrieved 20 September 2015.

Maderya, Kumuthan (2010). From the original on 9 August 2016. Retrieved 9 August 2016. (13 February 2014). From the original on 23 June 2016.

Retrieved 23 June 2016. Suganth, M (27 November 2011).

The Times of India. Archived from on 28 September 2015. Retrieved 28 September 2015. Rangarajan, Malathi (21 February 2003). From the original on 25 February 2008. Retrieved 20 September 2015.

24 February 2011. From the original on 24 September 2015. Retrieved 24 September 2015.

Siddharth, K. (8 September 2014). From the original on 9 August 2016. Retrieved 9 August 2016.

Pillai, Sreedhar (26 September 2008). Archived from on 19 September 2015. Retrieved 22 November 2013. (6 June 2008). Baradwaj Rangan.

From the original on 10 July 2010. Retrieved 26 September 2015. Kurian, Shiba (7 June 2014). Archived from on 20 September 2015. Retrieved 19 September 2015.

Venkateswaran, N. (20 March 2011). From the original on 19 September 2015. Retrieved 11 November 2013.

Suganth, M. (13 January 2014). Archived from on 15 December 2014. Retrieved 20 September 2015. Aishwarya, S.

(24 January 2011). From the original on 11 November 2013. Retrieved 11 November 2013. Venkateswaran, N. (29 April 2012). Archived from on 31 October 2015.

Retrieved 31 October 2015.Bibliography. (1997). Rajadhyaksha, Ashish; Willemen, Paul (1998) 1994. (PDF).

Sundararaman (2007) 2005. Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music (2nd ed.). Pichhamal Chintamani.External links. on.

Running time131 minutesCountryIndiaLanguageTamilMoodu Pani (English: The Mist) is a 1980 Indian written, directed and filmed. Starring and in the lead roles, with, and in supporting roles, it is based on two novels: Idhuvum Oru Viduthalai Thaan (1978) by Rajendra Kumar, and (1963). The film tells the story of Chandru (Pothen), who has a strong hatred towards prostitutes and would kill any such woman whom he encounters. He falls in love with Rekha (Shoba) and believes marrying her will end his psychological distress.Moodu Pani was the third directorial venture of Mahendra and his second in Tamil after (1979).

It also marked Mohan's debut in Tamil cinema, and the last film Shoba acted in before her death. Took place between January and April 1980, mostly in,. Apart from The Collector, Mahendra also acknowledged 's film (1960) as an influence on Moodu Pani. The elements between Chandru and his mother have been widely discussed.

The soundtrack was composed by, this being his 100th film, and his brother was the main lyricist.Moodu Pani was released on 6 November 1980 to critical acclaim, with particular praise for the performances of Pothen and Shoba, and Ilaiyaraaja's music, especially the song 'Yen Iniya Pon Nilavae'. The film was a commercial success, running for over 200 days in theatres. It was also responsible for a resurgence of the thriller genre in Tamil cinema at that point. Despite the film propelling Pothen to stardom, it also led to him being in similar roles.

Pothen, on the song 'Yen Iniya Pon Nilavae', The Hindu.After Sigappu Rojakkal, there was a resurgence of the thriller genre in Tamil cinema, as evidenced by films like Moodu Pani. According to film producer and writer, the film 'inspired a generation to take up film-making'. Suganth of The Times of India stated that Mahendra 'changed the landscape of Tamil cinema with his distinctive visuals and eclectic films' such as Moodu Pani. Pothen recalled in January 2015 that it was the simultaneous release of Moodu Pani and his other film that made him a star. However, both Varumayin Niram Sivappu (which depicted Pothen as an eccentric director obsessed with an actress) and Moodu Pani led to him being in similar roles. 'Both roles caught the public imagination, and I admit I cashed in when I was offered similar stuff.

Now, unless I'm offered an unreasonable amount of money, I doubt I'll accept these roles,' he said in a 2014 interview.In Iruvar Mattum (2006), Azhagu (Abhay) keeps the skeletal remains of his mother and frequently talks to her; Sify compared this plot detail to that of Moodu Pani and Psycho. Malathi Rangarajan of The Hindu, in her review of (2003) a film about a mentally deranged woman who saves an accident victim from death, nurses him in her own home and also falls in love with him, but holds him captive there, stated that the film had 'shades' of Moodu Pani. Actor stated that he watched Moodu Pani in preparation for his role as a psychopath in the thriller. Reviewing (2014), K. Siddharth of Sify praised its cinematographer for 'showcasing Ooty in trademark Balu Mahendra's way' in the style of Moodu Pani.In (2008), when 's character first sees 's character and with her, he takes his guitar and performs 'Yen Iniya Pon Nilavae'.

Pothen expressed appreciation for Suriya's version of the song in a May 2015 interview, saying that he had 'enjoyed it'. In June 2014 during Ilaiyaraaja's 71st birthday, singers and collaborated to make a video in which they performed some of Ilaiyaraaja's songs as a tribute to him; one song was 'Yen Iniya Pon Nilavae'.

In May 2015, the radio station, commemorated Ilaiyaraaja's 72nd birthday by broadcasting the composer's songs in a special show titled Raja Rajathan for 91 days. 'Yen Iniya Pon Nilavae' was one of the most requested songs on the show. Although no of Moodu Pani is known to survive, the film is still available on home video. 31 December 2014. Archived from on 25 July 2017.

Retrieved 7 August 2017. Elias, Esther (4 April 2014). From the original on 20 September 2015. Retrieved 19 September 2015. ^ Shakti, Uma (13 May 2016). From the original on 16 May 2016. Retrieved 21 May 2016.

^ Mahendra, Balu (director) (1980). Moodu Pani (motion picture). India: Raja Cine Arts. ^ Piousji (14 September 1980). Vol. 8 no. 10. P. 41. Piousji (14 December 1980).

Vol. 8 no. 19. P. 55. ^ Pais, Arthur (15 June 1980).

Vol. 7 no. 50. Tamil Electronic Library. Archived from on 20 September 2015. Retrieved 20 September 2015. ^ வெங்கட்ராமன், கார்த்திகேயன் (14 October 2016).

'I am interested in adapting the Ramayana for the screen' - Director Balu Mahendra. From the original on 29 October 2016.

Retrieved 29 October 2016. Ravi, Bhama Devi (6 December 2009). Archived from on 15 June 2016. Retrieved 15 June 2016.

^ Srinivasan, Sudhir (18 October 2014). From the original on 3 December 2014. Retrieved 19 September 2015. ^ Mahendra, Balu (19 September 2012). Ilaiyaraaja and I – 2. மூன்றாம் பிறை.

From the original on 24 September 2015. Retrieved 24 September 2015. 14 February 2014. From the original on 14 February 2014. Retrieved 26 September 2015. Stolen film.

28 October 2016. Archived from on 26 November 2016. Retrieved 26 November 2016.

Ramesh, Neeraja (29 June 2016). Archived from on 30 September 2016. Retrieved 30 September 2016. (12 September 2012). Ilaiyaraaja and I – 1.

மூன்றாம் பிறை. From the original on 24 September 2015. Retrieved 19 September 2015. Kumar, G. (14 February 2014). From the original on 20 September 2015. Retrieved 19 September 2015.

P. 10. ^ Ramanujam, Srinivasa (31 May 2018). From the original on 18 July 2018. Retrieved 18 July 2018. ^ Hariharan, K. (15 February 2014).

From the original on 16 December 2014. Retrieved 5 October 2014. ^ Ilangovan, R.

(21 March 2014). From the original on 6 March 2014. Retrieved 22 September 2015. From the original on 23 June 2016.

Retrieved 23 June 2016. 28 October 1980. Archived from on 15 June 2016.

Retrieved 15 June 2016. Krishnan, Rukmini (18 February 2014). From the original on 5 December 2014. Retrieved 20 September 2015. ^.

Yen Iniya Pon Nilave Lyrics

1 December 2006. From the original on 20 September 2015. Retrieved 19 September 2015.

Soman, Sandhya (14 February 2014). From the original on 14 February 2014. Retrieved 23 September 2015. Venkateswaran, N. (14 February 2014). From the original on 2 March 2014.

Retrieved 14 February 2014. Bai, Devika (15 April 2014). Archived from on 21 February 2015. Retrieved 22 September 2015. Dhusiya, Mithuraaj (2017). The male protagonist is shown to have a visceral hatred towards any prostitute that he met.

So much so that he would end up killing them. A slasher genre reminiscent., p. 141. (2 October 2015). 22 – Beware of Man Animals!. From the original on 21 May 2016.

Retrieved 21 May 2016. Mathevan, Santhosh (1 December 2018). From the original on 3 January 2019. Retrieved 3 January 2019.

Archived from on 30 March 2014. Retrieved 11 November 2013. 8 January 2007. From the original on 19 September 2015. Retrieved 19 September 2015. 14 February 2014.

From the original on 24 September 2015. Retrieved 24 September 2015. Prasad, G. (18 August 2007). From the original on 15 June 2016. Retrieved 15 June 2016. ^ Ilaiyaraaja's musical heirs.

7 April 2013. Archived from on 20 September 2015. Retrieved 20 September 2015. ^ (1980). Archived from on 6 October 2014.

Retrieved 22 November 2013. ^ Ilaiyaraaja (1981). The Gramophone Company of India Ltd.

Archived from on 6 October 2014. Retrieved 22 November 2013. Engeyum Eppothum Raja Anywhere, Anytime, Raja (concert). Toronto: Trinity Events.

13 February 2013., p. 128. The New Indian Express. 19 December 2014. From the original on 27 September 2015. Retrieved 27 September 2015. 25 October 2015.

From 1:04:15 to 1:05:00. Balasubramanian, V. (2 June 2018).

Retrieved 23 February 2019. Vincent, Rohan Ashley (25 August 2012). Archived from on 26 September 2015. Retrieved 26 September 2015. Ilaiyaraaja (1982). Echo Records. From the original on 25 July 2018., p. 152.

Panneerselvan, A. (10 September 1993). Archived from on 22 September 2015. Retrieved 22 September 2015. Chandramohan, V.

(13 November 2015). From the original on 14 November 2015.

Retrieved 16 November 2015. Murugesan, Deepauk (15 April 2011). Archived from on 4 October 2015. Retrieved 4 October 2015. Karthikeyan, D. (15 July 2011).

From the original on 20 September 2015. Retrieved 20 September 2015. 22 January 2015. Archived from on 23 January 2015.

Retrieved 30 October 2015. Madhavan, Jaya (7 February 2010). Archived from on 9 August 2016. Retrieved 9 August 2016. From Annakkili to 1000 Top 300 songs.

Archived from on 9 August 2016. Retrieved 9 August 2016.

(20 May 2007). Baradwaj Rangan. From the original on 20 September 2015. Retrieved 20 September 2015. Jeshi, K.

(2 November 2007). Archived from on 4 November 2007. Retrieved 11 November 2013. Rao, Subha J. (25 May 2006). Archived from on 20 September 2015. Retrieved 19 September 2015.

Rao, Subha J. (29 March 2010). Archived from on 30 October 2015.

The Tone Mapping Tool from Photomatix will convert you to high-resolution pictures. Finally, professional is for automatic mix productivity, unlimited stacking. Photomatix pro 6 serial key.

Retrieved 30 October 2015. Sivashankar, Nithya (23 February 2011). From the original on 8 August 2016.

Retrieved 8 August 2016. 20 March 2014. Retrieved 15 November 2015. Retrieved 30 September 2016. (14 July 2017). Retrieved 18 February 2019. ^ (3 January 2015).

From the original on 1 May 2015. Retrieved 19 September 2015. Selvaraj, N. (20 March 2017). Tamil films that completed silver jubilees. Thinnai (in Tamil). From the original on 29 March 2017.

Retrieved 29 March 2017. Srivatsan (16 September 2016). From the original on 23 September 2016. Retrieved 23 September 2016. ^ Ravi, Bhama Devi (22 July 2008). From the original on 1 June 2014.

Retrieved 11 November 2013. Kumar, S.

En Iniya Pon Nilave Lyrics With Guitar Chords

Ashok (3 May 2002). From the original on 11 December 2008.

Retrieved 27 September 2015. 'சினிமா விமர்சனம்: மூடுபனி' Movie Review: Moodu Pani. 30 November 1980. P. 17., p. 180. Saraswathi, S. (13 February 2014). From the original on 5 July 2015.

Retrieved 14 February 2014. Sivakumaran, K. (20 February 2014). Archived from on 5 July 2015. Retrieved 5 October 2014.

Kumar, S. Ashok (3 February 2012). Archived from on 9 August 2016. Retrieved 9 August 2016.

^ Srinivasan, Sudhir (9 May 2015). From the original on 20 September 2015. Retrieved 20 September 2015. Maderya, Kumuthan (2010). From the original on 9 August 2016.

Retrieved 9 August 2016. (13 February 2014).

From the original on 23 June 2016. Retrieved 23 June 2016. Suganth, M (27 November 2011). The Times of India. Archived from on 28 September 2015. Retrieved 28 September 2015.

Rangarajan, Malathi (21 February 2003). From the original on 25 February 2008. Retrieved 20 September 2015.

24 February 2011. From the original on 24 September 2015.

Retrieved 24 September 2015. Siddharth, K. (8 September 2014). From the original on 9 August 2016. Retrieved 9 August 2016. Pillai, Sreedhar (26 September 2008).

Archived from on 19 September 2015. Retrieved 22 November 2013. (6 June 2008). Baradwaj Rangan.

From the original on 10 July 2010. Retrieved 26 September 2015.

Kurian, Shiba (7 June 2014). Archived from on 20 September 2015. Retrieved 19 September 2015.

Venkateswaran, N. (20 March 2011).

From the original on 19 September 2015. Retrieved 11 November 2013. Suganth, M. (13 January 2014). Archived from on 15 December 2014.

Retrieved 20 September 2015. Aishwarya, S. (24 January 2011).

From the original on 11 November 2013. Retrieved 11 November 2013. Venkateswaran, N. (29 April 2012). Archived from on 31 October 2015.

Retrieved 31 October 2015.Bibliography. (1997). Rajadhyaksha, Ashish; Willemen, Paul (1998) 1994. (PDF). Sundararaman (2007) 2005.

Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music (2nd ed.). Pichhamal Chintamani.External links. on.